Conversatory of Literature - Illusion and Trought in the Theater from the Baroque to the Romantisme 3304-1DPXW-KL-006-OG

Literary seminar - Illusion and truth in theater from Baroque to Romanticism
Review of artists and genres, from the seventeenth to the first half of the nineteenth century: how is theatrical play oriented in different epochs in the three epochs? What does it tell us about the emotions that the truth evokes? About her instrumentalization? About the place of dramatic literature in culture? What role does it assign to the language?
Anthropology of literature (Goethe) and anthropology of the theater (Corneille, Marivaux, Diderot, Musset) the area of an ambiguous game of truth and illusion. Theater in the theater and its derivatives - a mirror effect, autothematicism, metatextuality, and intertextuality - are to show their ethical, philosophical sense.

Type of course

general courses
elective courses

Mode

Classroom

Course coordinators

Izabella Zatorska

Learning outcomes

While reading, the student should:
1 demonstrate an in-depth knowledge of issues related to the subject of the seminar
2 master the skill of analyzing source materials
3 demonstrate the ability to present detailed issues and animate discussions in the seminar group
4 to confront different interpretations orally and in writing
5 present in a synthetic form a selected issue from the scope of the seminar program

Assessment criteria

Pass conditions: active presence (knowledge of previously sent text fragments as a starting point for discussion), exposé or animating a debate 10 min. on the topic selected from the questionnaire. Written work in the classroom (mid-semester) and the final test (15 min) allow the oral exam (reading list and issues given at the beginning of the semester).
More than two unexcused absences (not counting the first classes), the student is struck off the list of students. In case of difficulties with connecting to the platform, please contact me by e-mail to: i.m.zatorska@uw.edu.pl

Practical placement

Nothing.

Bibliography

Szekspir, Sen nocy letniej; Corneille, Illusion comique. Comédie, Molier, Świętoszek, Lesage, Turcaret, Marivaux, Les Acteurs de bonne foi ; Diderot, Le Fils naturel, Entretiens sur Le Fils naturel i Est-il bon, est-il méchant ? ; Schiller, Intryga i milość (+opera Verdiego Luiza Miller), Musset, On ne badine pas avec l’amour.
Oprócz wybranych utworów w/w pisarzy, komentarze (m. in.): Arystoteles, "Poetyka", przełożył i opracował Henryk Podbielski, Wrocław, Ossolineum-DeAgostini, 2006. Stąd: terminologia s. XLVII-XLVIII, mímesisi a katharsis, s. LVIII-CXIV, składniki tragedii s. CXIV-CXXII; E. Auerbach, "Mimesis: rzeczywistość przedstawiona w literaturze Zachodu", t. 2, tłum. Z. Żabicki, PWN, Warszawa 1968 (rozdziały: Świętoszek, Nauczyciel muzyki Muller);Nicolas Boileau, "L’art poétique – Sztuka poetycka", tłum. i oprac. Maria Grzędzielska, Lublin Wyd. UMCS, 1989; Z.Mitosek, Mimesis w literaturze, kulturze i sztuce, Warszawa, PWN, 1992; R. Girard, Prawda powieściowa i kłamstwo romantyczne (przeł. K. Kot), Wyd. KR, Warszawa 2001; Słownik terminów literackich, red. M. Głowiński, T. Kostkiewiczowa, A. i J.

Additional information

Information on level of this course, year of study and semester when the course unit is delivered, types and amount of class hours - can be found in course structure diagrams of apropriate study programmes. This course is related to the following study programmes:

Additional information (registration calendar, class conductors, localization and schedules of classes), might be available in the USOSweb system:

Description of 3304-1DPXW-KL-006-OG in USOSweb