How Does Modernity Sound? Sound Experiments in Twentieth-Century Music 3106-EKSM-OG

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Course coordinators

Iwona Lindstedt

Type of course

general courses
elective courses

Mode

Classroom

Prerequisites (description)

Course topics include problems related to the emancipation of timbre and sound in 20th and 21st century music.

Assessment criteria

Activity in the class and listening test.

Bibliography

Selected bibliography:

Attali J., Noise: The Political Economy of Music, Minneapolis 1985.
Brown B., The Noise Instruments of Luigi Russolo, "Perspectives of New Music", 1981, Vol. 20, No. 1/2.
Holmes T., Electronic and Experimental Music: Technology, Music, and Culture, wyd. IV, New York 2012.
Kahn D., Noise, Water, Meat: A History of Sound in the Arts, Cambridge (MA) and London 1999.
Lindstedt I., Sonorystyka w twórczości kompozytorów polskich XX wieku, Warszawa 2010.
Szwajgier K., Sonoryzm i sonorystyka, "Ruch Muzyczny" 2009 nr 10, http://www.ruchmuzyczny.pl/PelnyArtykul.php?Id=1127.
Selected texts from: Kultura dźwięku. Teksty o muzyce nowoczesnej, C. Cox, D. Warner (red.), Gdańsk 2010.

Additional information

Information on level of this course, year of study and semester when the course unit is delivered, types and amount of class hours - can be found in course structure diagrams of apropriate study programmes. This course is related to the following study programmes: