(in Polish) Konwersatorium historyczno-kulturowe IIp : Muzyka we Francji od czasów Rewolucji 3304-1DP2W-KHK-02-OG
After the Revolution, France entered a phase of modernity, one of the features of which was the acceleration of the evolution of forms of artistic creation and the succession of subsequent avant-gardes. Paris - as in other areas - became the capital and mecca of European culture and this state lasted until the interwar period. The classes will be devoted to the most important and representative phenomena, composers and works of classical music of the 19th and first half of the 20th century.
Type of course
elective courses
Mode
Prerequisites (description)
Course coordinators
Learning outcomes
After completing the classes, students will be able to:
– characterize selected phenomena in the musical culture of France in the 19th century and the first half of the 20th century (K_W05),
– use basic concepts and corresponding terms used to describe culture (K_K02, K_U01, K_U03),
– use various sources and methods, including modern information technologies, to search, analyze, evaluate, select and use information necessary to participate in classes (K_U09, K_K01).
Assessment criteria
The classes end with a final grade.
Continuous assessment, presentation assessment, assessment of the colloquium at the end of the semester.
Practical placement
None.
Bibliography
W.G. Attwood, "Paryskie światy Fryderyka Chopina", przeł. Z. Skowron, Kraków-Warszawa, Musica Iagellonica-NIFC, 2005 (1999);
J. Bauman-Szulakowska, "Sérénité, humor, fantazja: poetyka muzyki instrumentalnej Francisa Poulenca", Poznań, Ars Nova, 2000;
M. Gołąb, "Muzyczna moderna w XX w.", Wrocław, Wyd. UWr., 2011;
S. Jarociński, "Debussy a impresjonizm I symbolizm", Kraków, PWM, 1976.
Additional information
Additional information (registration calendar, class conductors, localization and schedules of classes), might be available in the USOSweb system: