The History of American Art, 1700-2000 (Historia sztuki amerykańskiej, 1700-2000) 4219-SD102
Session 1: Painting during the colonial periodterms and proper names:portrait painting, limners, Alice Mason, Elizabeth Eggington, Elizabeth Freake and Mary, Baroque, Thomas Smith, Anne Pollard, William Williams, Rococo, John Smibert, Robert Feke, Benjamin West, Neo-Classicism, John Singleton Copley, history painting
Session 2: Rococo and Neo-Classical sculpture in the XVII and XIX centuriesterms and proper names: Jean-Antoine Houdon, Rococo and Neo-Classicism, Samuel McIntyre, William Rush, J.H.I. Browere, Horatio Greenough, Hiram Powers, Henry K. Brown, William Rinehart, Erastus Dow Palmer, Clark Mills, Willliam Rimmer
Session 3: Searching for cultural identity - history painting, Neo-Classicism and Romanticism of the late XVIIIth and the early XIXth centuriesterms and proper names: Ralph Earl, John Trumbull , Gilbert Stuart, Charles W. Peale, John Neagle, Samuel Morse, Benjamin West, Neo-Classicism and Romanticism, John Vanderlyn, Washington Allston, sublimeJames Peale, still-life, trompe l'oeil, Raphaelle Peale, Rembrandt Peale
Session 4: XIXth century landscape paintingterms and proper names: Washington Allston, Romanticism, Thomas Daughty, Thomas Cole, Hudson River School, Transcendentalism, Asher B. Durand, Sanford Gifford, Luminism, Richard Salmon, Fitz H. Lane, John F. Kensett, Martin J. Heade, George Inness
Session 5: Explorations of the New Worldterms and proper names: Frederick E. Church, Manifest Destiny, Albert Bierstadt, Martin J. Heade, John J. Audubon, Thomas Moran, Frederick Remington, Charles Bird King, George Catlin
Session 6: Genre painting and Realismterms and proper names: Edward Hicks, William S. Mount, American Art Union, George C. Bingham, John Quidor, Eastman Johnson, Richard C. Woodville, David Gilmour Blythe, Winslow Homer, Thomas Eakins, Thomas D. Anschutz, William M. Harnett, John F. Peto
Session 7: Aestheticism and Impressionismterms and proper names: James A.M. Whistler, Aestheticism, The Expatriates, John Sargent, Mary Cassat, Impressionism, Eastman Johnson, Theodor Robinson, William M. Chase, John A. Weir, John Twachtman
Session 8: American Modernism - Ash-Can School, 291 Gallery, Precisionismterms and proper names: Albert P. Ryder, Robert?Henri, The Eight, John Sloan, George Bellows, Maurice Prendergast, Armory Show, Alfred Stieglitz and 291, John Marin, Arthur Dove, Marsden Hartley, Georgia O'Keeffe, Stuart Davis, Charles Scheeler, Precisionism, American Abstract Artists
Session 9: American Scene painting, New York School - Action Paintingterms and proper names: Thomas H. Benton, Regionalism, Grant Wood, Charles Burchfield, Ben Shahn, Social, Realism, Jack Levine, Jacob Lawrence, Jackson Pollock, Action Painting, Willem de Kooning, Franz Kline
Session 10: New York School - Colour-Field Painting, Neo-Dadaterms and proper names: Mark Rothko, Barnett Newman, Clyfford Still, Robert Motherwell, Robert Rauschenberg, John Cage, Jasper Johns
Sesion 11: Minimalism, Pop-Artterms and proper names: Frank Stella, Donald Judd, "specific objects", Robert Morris, Roy Lichtenstein, Andy Warhol, Pop Art, Claes Oldenburg
Sesion 12: Conceptual art, Post-Minimalism, Land Artterms and proper names: Sol LeWitt, systematicity, Douglas Huebler, Lawrence Weiner, Robert Barry, dematerialization, Joseph Kosuth, Bruce Nauman, Robert Morris, Process art, Richard Serra, site-specific, Eva Hesse, Robert Smithson, Michael Heizer, Walter de Maria
Session 13: Post-Modernismterms and proper names: Douglas Crimp, Pictures exhibition, Jack Goldstein, Troy Brauntuch, Robert Longo, Cindy Sherman, Richard Prince, Sherrie Levine, feminism, Barbara Kruger, Craig Owens, Jenny Holzer, Hal Foster, Haim Steinbach, "commodity critics", Jeff Koons, Ashley Bickerton
Rodzaj przedmiotu
Literatura
books:
Jules D. Prown, Barbara Rose, American Painting. From the Colonial Painting to the Present, Rizzoli, New York 1977.
Jules D. Prown, Malarstwo amerykańskie. Od początków do Armory Show, SKIRA i WAiF, Warszawa 1994.
Barbara Rose, Malarstwo amerykańskie dwudziestego wieku, SKIRA i WAiF, Warszawa 1991.
Dwieście lat malarstwa amerykańskiego, katalog wystawy, Muzeum Narodowe, Warszawa 1976.
Barbara Rose, American Art Since 1900, Holt, New York 1975.
Richard McLanathan, Art in America. A Brief History, Harcourt Brace Jovanovich Inc., 1973.
Milton W. Brown et al., American Art, New Jersey and New York 1979.
Oliver W. Larkin, Art and Life in America, Holt, New York 1960.
Sam Hunter, John Jacobus, American Art of the 20th Century, Abrams, New York.
Jonathan Fineberg, Art Since 1940. Strategies of Being, Harry N. Abrams, New York 1995.
Michael Archer, Art Since 1960, Thames and Hudson, London 1997.
supplementary readings available in books:John W. McCoubrey, ed. American Art 1700-1960. Sources and Documents, Prentice-Hall, Inc., Englewood Cliff, New Jersey.Charles Harrison & Paul Wood, eds., Art in Theory: 1900-1990, Blackwell, London 1992.
John Galt, "The Life and Studies of Benjamin West"
Horatio Greenough, "Remarks on American Art".
Alexander Everett, "Greenough's Statue of Washington"
Nathaniel Hawthorne, "A Visit to the Studio of Hiram Powers"
John Trumbull, "Letter to Thomas Jefferson"
"Critical Comment od Gilbert Stuart in London"
"American Academy of Fine Arts: Remarks on Portraits of George Washington"
Margaret Fuller Ossoli, "A Record of Impressions of Mr. Allston's Pictures"
Washington Allston, "Lectures on Art and Poetry"
Thomas Cole, "Essay on American Scenery"
Ralph W. Emerson, "Thoughts on Art."
Asher B. Durand, "Letters on Landscape Painting"
George Catlin, "Letter from the Mouth of the Yellowstone River"
George C.Bingham, "The Ideal in Art."
Winslow Homer, "On Painting in the Open Air"
John W. Beatty, "Recollections of Winslow Homer"
"Thomas Eakins: On His Teaching Methods"
James A.M. Whistler, "The Gentle Art of Making Enemies"
Albert P. Ryder, "Paragraphs from a Studio of a Recluse"
Robert Henri, "The New York Exhibition of Independent Artists"
Walter Kuhn et al., "The Armory Show"
Stuart Davis, "Two Statements on His Painting"
Thomas H. Benton, "On Regionalism"
Jackson Pollock, "Two Statements on his Painting"
Harold Rosenberg, "The American Action Painters"
Adolph Gottlieb and Mark Rothko, " Letter to the New York Times"
Frank Stella, "Pratt Institute Lecture"
Donald Judd, "Specific Objects"
Andy Warhol, "Interview with Gene Swenson"
Frederic Jameson, "The Deconstruction of Expression"
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