(in Polish) O czym nie można mówić…: Funkcje milczenia w poezji i dramacie 3700-AL-FMPD-qHT

Źródła:
William Shakespeare, Tytus Andronikus (fragment)
William Shakespeare, Król Lear (fragment)
George Herbert, “The Quidditie”, “Denial”
John Donne, “The Calm”, “Nocturnal Upon St. Lucy’s Day”, Holy Sonnets
John Milton, “Il Penseroso”
William Wordsworth, „Lines Composed a Few Miles above Tintern Abbey”, “It is a Beauteous Evening”
Samuel Taylor Coleridge, “This Lime-Tree Bower My Prison”
John Keats, “Ode on a Grecian Urn”
T. S. Eliot, Ash Wednesday oraz Four Quartets
Stanisław Różewicz, „Nazywam milczeniem”

Opracowania:
Beaston, Lawrence. „Talking to a Silent God: Donne’s Holy Sonnets and the Via Negativa”. Renascence: Essays on Values in Literature(Vol. 51, Issue 2), 1999.
Domestico, Anthony. Poetry and Theology in the Modernist Period. Johns Hopkins Uni Press, 2017.
Grzegorzewska, Małgorzata, Jean Ward and Mark Burrows (eds). Breaking the Silence: Poetry and the Kenotic Word. Peter Lang 2015.
Losseff, Nicky and Jenny Doctor (eds). Silence, Music, Silent Music. Routledge 2007 [wstęp “The Texture of Silence”]
McLoughlin, Kate. Silence. A Literary History. OUP 2026.
Ramsey, Jonathan. William Wordsworth and the Aesthetics of Silence, Uni of California Press 1972.
Reisner, Noam. Milton and the Ineffable. OUP 2009.
Rokoszowa Jolanta. „Milczenie jako fakt językowy”. Bulletin de la Société Polonaise de Linguistique, 1994.
Stirling, Kirtin. “Donne’s Negative Theology of the Cross” in Russel, Hiller and Robert Reedeer, Comparative Essays on the Poetry and Prose of Johne Donne and George Herbert, Rutgers Uni Press 2011.