(in Polish) Antyk w kinie animowanym: recepcja, reinterpretacje i strategie adaptacyjne 3700-AL-AKA-qTM

Literatura podstawowa:

Bendazzi, Giannalberto. 2015–2017. Animation: A World History. 3 vols. New York and London: Routledge.
Castello, M. G., and C. Scillabra. 2015. “Theoi Becoming Kami: Classical Mythology in the Anime World.” In F. Carlà and I. Berti (eds.), Ancient Magic and the Supernatural in the Modern Visual and Performing Arts, 177–196. London: Bloomsbury.
De Pourcq, Maarten, Nathalie De Haan, and David Rijser (eds.). 2020. Framing Classical Reception Studies: Different Perspectives on a Developing Field. Leiden: Brill.
Giżycki, Marcin. 2000. Nie tylko Disney. Rzecz o filmie animowanym. Warszawa: PWN.
Hardwick, Lorna, and Stephen Harrison (eds.). 2013. Classics in the Modern World: A Democratic Turn? Oxford: Oxford University Press.
Lindner, Martin. 2008. “Colourful Heroes: Ancient Greece and the Children’s Animation Film.” In I. Berti and M. García Morcillo (eds.), Hellas on Screen: Cinematic Receptions of Ancient History, Literature and Myth, 39–55. Stuttgart: Franz Steiner Verlag.
Lowe, Dunstan, and Kim Shahabudin (eds.). 2009. Classics for All: Reworking Antiquity in Mass Culture. Newcastle upon Tyne: Cambridge Scholars Publishing.
Marciniak, Katarzyna (ed.). 2021. Our Mythical Hope: The Ancient Myths as Medicine for Hardships of Life in Children's and Young Adults' Culture. Warsaw: University of Warsaw Press.
Sulprizio, Chiara. 2017–present. Animated Antiquity. https://animatedantiquity.com/about/
Sulprizio, Chiara, and C.W. Marshall (eds.). 2026. Animation and the Ancient World. Oxford: Oxford University Press.

Literatura dodatkowa:
Bobrowska, Olga, Michał Bobrowski, and Bogusław Zmudziński (eds.). 2019. Propaganda, Ideology, Animation: Twisted Dreams of History. Kraków: Wydawnictwa AGH.
But, Ekaterina. 2022. “Prometheus in Russia: From Revolution to Dissidence.” Classical Receptions Journal 14.4: 533–553
Ciszewska, Ewa, and Agata Hofelmajer-Roś. 2024. „Lalka filmowa – perspektywy badań: Rozważania na podstawie wybranych produkcji lalkowych zrealizowanych w Studiu Małych Form Filmowych ‘Se-Ma-For’ w Łodzi.” Acta Universitatis Lodziensis: Folia Litteraria Polonica 2: 281–310.
Cowen, Eleanor. Animation Behind the Iron Curtain: A Guide to Animated Films from Russia and Eastern Bloc Countries During the Cold War Era. John Libbey Publishing, 2020.
Cyrino, Monica S., and Meredith E. Safran (eds.). 2015. Classical Myth on Screen. Basingstoke: Palgrave Macmillan.
Karsai, György, Gábor Klaniczay, David Movrin, and Elżbieta Olechowska (eds.). 2013. Classics and Communism: Greek and Latin behind the Iron Curtain. Ljubljana, Budapest, and Warsaw: Ljubljana University Press; Collegium Budapest; and Faculty of “Artes Liberales”, University of Warsaw.
Margolis, Hanna. 2024. Niewidzialną ręką: filmy animowane kobiet w (męskich) strukturach kinematografii w Polsce. Kraków: Towarzystwo Autorów i Wydawców Prac.
Maurice, Lisa, and Eran Almagor (eds.). 2017. The Reception of Ancient Virtues and Vices in Modern Popular Culture. Leiden: Brill.
Mazierska, Ewa. 2011. European Cinema and Intertextuality: History, Memory and Politics. Basingstoke: Palgrave Macmillan.
Pomeroy, Arthur J. (ed.). 2017. A Companion to Ancient Greece and Rome on Screen. Malden, MA: Wiley Blackwell.
Zipes, Jack, Pauline Greenhill, and Kendra Magnus-Johnston (eds.). 2016. Fairy-Tale Films Beyond Disney: International Perspectives. New York and London: Routledge.