Genres of early vocal polyphony (module V) 3106-1GDPW-W
This course has not yet been described...
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Term 2023Z:
1. Introduction. |
Term 2024Z:
1. Introduction. |
Mode
Prerequisites (description)
Course coordinators
Type of course
General: obligatory courses elective courses | Term 2024Z: obligatory courses | Term 2023Z: obligatory courses |
Learning outcomes
Students should have a basic knowledge of manuscripts discussed; be aware of the diversity of the causes of such sources, be acquainted with their repertoire and be able to perceive vocal compositions included in such collections as carriers of different meanings, both musical and non-musical.
Assessment criteria
Class attendance is obligatory. Students will have to prepare an essay on the topic agreed with the teacher. The course will end with a test.
Bibliography
M. Bent: The Old Hall Manuscript „Early Music” 2/1, 1974
R. L. Gerber, Sacred Music from the Cathedral at Trent. Trent, Museo Provinciale d'Arte, Codex 1375 (olim 88), Chicago 2006
J. Haar, John Nádas, Antonio Squarcialupi: Man and Myth „Early Music History” 25, 2006
H. Kellman, The Origins of the Chigi Codex: the Date, Provenance, and Original Ownership of Rome, Biblioteca Vaticana, Chigiana, C.VIII.234, “Journal of the American Musiological Society” 11/1, 1958
E. L. Kottick, The Chansonnier Cordiforme, “Journal of the American Musiological
Society” 20/1, 1967
E. E. Leach, Guillaume de Machaut: Secretary, Poet, Musician, Leuven 2011
L. Mráčková, Behind the stage: some thoughts on the Codex Speciálník and the reception of polyphony in late 15th-century Prague, „Early Music” 37/1, 2009
Y. Plumley, A. Stone (ed.), A late medieval songbook and its context: new perspectives on the Chantilly Codex, Turnhout 2009
J. Rifkin, The Creation of the Medici Codex, “Journal of the American Musicological
Society” 62/3, 2009
E. H. Roesner, Who 'Made' the 'Magnus Liber'? „Early Music History” 20, 2001
I. Rumbold (& P. Wright), Hermann Pötzlinger's music book: the St Emmeram Codex and its contexts, Woodbridge 2009
M. Williamson The Early Tudor Court, the Provinces and the Eton Choirbook, Early Music 25/2, 1997
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Term 2023Z:
M. Bent: The Old Hall Manuscript „Early Music” 2/1, 1974 R. L. Gerber, Sacred Music from the Cathedral at Trent. Trent, Museo Provinciale d'Arte, Codex 1375 (olim 88), Chicago 2006 J. Haar, John Nádas, Antonio Squarcialupi: Man and Myth „Early Music History” 25, 2006 H. Kellman, The Origins of the Chigi Codex: the Date, Provenance, and Original Ownership of Rome, Biblioteca Vaticana, Chigiana, C.VIII.234, “Journal of the American Musiological Society” 11/1, 1958 E. L. Kottick, The Chansonnier Cordiforme, “Journal of the American Musiological E. E. Leach, Guillaume de Machaut: Secretary, Poet, Musician, Leuven 2011 L. Mráčková, Behind the stage: some thoughts on the Codex Speciálník and the reception of polyphony in late 15th-century Prague, „Early Music” 37/1, 2009 Y. Plumley, A. Stone (ed.), A late medieval songbook and its context: new perspectives on the Chantilly Codex, Turnhout 2009 J. Rifkin, The Creation of the Medici Codex, “Journal of the American Musicological E. H. Roesner, Who 'Made' the 'Magnus Liber'? „Early Music History” 20, 2001 I. Rumbold (& P. Wright), Hermann Pötzlinger's music book: the St Emmeram Codex and its contexts, Woodbridge 2009 M. Williamson The Early Tudor Court, the Provinces and the Eton Choirbook, Early Music 25/2, 1997 |
Term 2024Z:
M. Bent: The Old Hall Manuscript „Early Music” 2/1, 1974 R. L. Gerber, Sacred Music from the Cathedral at Trent. Trent, Museo Provinciale d'Arte, Codex 1375 (olim 88), Chicago 2006 J. Haar, John Nádas, Antonio Squarcialupi: Man and Myth „Early Music History” 25, 2006 H. Kellman, The Origins of the Chigi Codex: the Date, Provenance, and Original Ownership of Rome, Biblioteca Vaticana, Chigiana, C.VIII.234, “Journal of the American Musiological Society” 11/1, 1958 E. L. Kottick, The Chansonnier Cordiforme, “Journal of the American Musiological E. E. Leach, Guillaume de Machaut: Secretary, Poet, Musician, Leuven 2011 L. Mráčková, Behind the stage: some thoughts on the Codex Speciálník and the reception of polyphony in late 15th-century Prague, „Early Music” 37/1, 2009 Y. Plumley, A. Stone (ed.), A late medieval songbook and its context: new perspectives on the Chantilly Codex, Turnhout 2009 J. Rifkin, The Creation of the Medici Codex, “Journal of the American Musicological E. H. Roesner, Who 'Made' the 'Magnus Liber'? „Early Music History” 20, 2001 I. Rumbold (& P. Wright), Hermann Pötzlinger's music book: the St Emmeram Codex and its contexts, Woodbridge 2009 M. Williamson The Early Tudor Court, the Provinces and the Eton Choirbook, Early Music 25/2, 1997 |
Additional information
Additional information (registration calendar, class conductors, localization and schedules of classes), might be available in the USOSweb system: