Extra-textual Ethnographies. Film, Sound, Multimedia, Performance 3102-LEPT
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Type of course
Bibliography
Boudreault-Fournier, Alexandrine. 2010. ‘Complicity Through Montage: A Call for an Intercultural Approach to Ethnographic Filmmaking’. Ethnologies 31 (2): 169–188. https://doi.org/10.7202/039369ar.
Castaing-Taylor, Lucien and Paravel, Verena. 2012. Leviathan (film)
Clifford, James. 2000. O surrealizmie etnograficznym. Przeł. M. Sznajderman. Tegoż, Kłopoty z kulturą. Dwudziestowieczna etnografia, literatura i sztuka, Wydawnictwo KR
Deger, Jennifer, and Miyarrka Media Collective. 2014. Ringtone. Film. Miyarrka Media.
Deger, Jennifer. 2013. ‘In-Between’. In Anthropology and Art Practice, 105–13. Bloomsbury.
Feld, Steven. 2012. Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana. Durham: Duke University Press.
Gardner, Robert. 1998. Passanger (film)
Ginsburg, Faye. 1995. ‘Mediating Culture: Indigenous Media, Ethnographic Film, and the Production of Identity’. In Fields of Vision: Essays in Film Studies, Visual Anthropology and Photography, 256–290. University of California Press.
Groth, Sanne Krogh, and Stefan Östersjö. 2019. ‘Sonic Argumentation II’. Seismograf, no. 23 (December): 1. https://doi.org/10.48233/seismograf2300.
Ingold, Tim. 2000. Thinking through the cello. In: Thinking in the World. A Reader, Jill Bennett i Mary Zournazi (eds.). Bloomsbury Academic, London
Loren, Diana DiPaolo. 2008. ‘Beyond the Visual: Considering the Archaeology of Colonial Sounds’. International Journal of Historical Archaeology 12 (4): 360.
Nabben, Kelsie. n.d. ‘Hacking the Pandemic: How Taiwan’s Digital Democracy Holds COVID-19 at Bay’. The Conversation. Accessed 6 December 2020. http://theconversation.com/hacking-the-pandemic-how-taiwans-digital-democracy-holds-covid-19-at-bay-145023.
Rouch, Jean, and Steven Feld. 2003. Ciné-Ethnography. Visible Evidence, v. 13. Minneapolis: University of Minnesota Press.
Rouch, Jean. 1967. Jaguar.
Sikora, Sławomir. 2012. Film i paradoksy wizualności: praktykowanie antropologii. Warszawa: Wydawnictwo DiG : Instytut Etnologii i Antropologii Kulturowej Uniwersytetu Warszawskiego.
Suhr, Christian and Willerslev, Rane. 2012. Can Film Show the Invisible? The Work of Montage in Ethnographic Filmmaking. Current Anthropology, Vol. 53, No. 3 (June), 282-301
Suhr, Christian and Willerslev, Rane. 2012. Transcultural Montage. Berghahn Books
Suhr, Christian. 2018. Camera Monologue: Cultural Critique beyond Collaboration, Participation and Dialogue, Visual Anthropology, 31:4-5, 376-393.
Weheliye, Alexander G. 2005. Phonographies Grooves in Sonic Afro-Modernity. Durham: Duke University Press. http://site.ebrary.com/id/10215111.
Additional information
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